Psycho Words 2 Pages. The film shows us the two sides of the characters, perhaps the most obvious to us as an audience is the character of Norman Bates. The scene is shot in such a way so we can only see one side of the characters, psycho essay. What is a motif? It accentuates both the threatening tone he takes when discussing putting his mother in psycho essay nursing home, psycho essay, as well as his emasculation when Marion decides to end the conversation.
Introduction
We use cookies to give psycho essay the best experience possible. Psycho focuses on the themes of secrets, lies, deceit, psycho essay, theft and above all duality. The film shows us the two sides of the characters, psycho essay, perhaps the most obvious to us as an audience is the character of Norman Bates. However, through the use of metaphors: mirrors and shadows, we also see the theme of duality in Marion Crane. The title credits of the film are very long, and because they are it psycho essay us wanting to watch the film as we are anxious. While watching the title credits we can anticipate many things wondering what the film is going to be about, psycho essay.
For example the high pitch music warns us something terrible is going to happen, and the typography moving from side to side leaves us with a feeling of entrapment. The fact that the title credits are in black and white makes the audience believe that the plot is going to be simple because black and white are two basic and simple colours, psycho essay, however the plot is psycho essay twisted and is not very simple. The opening scene shows us Marion and her secret lover Sam in a hotel room, immediately the audience is exposed to a secret.
In this scene Marion is wearing white underwear, white skirt and white blouse. The colour of white symbolizes psycho essay and all that it good in a person. It can also portray that a person, in this case Marion is na�ve, psycho essay. This is because the person could be inexperienced in evil, wearing white also shows innocence. However, a few scenes later, after Marion has stolen the money, we see her in black underwear. This is a complete contrast from her image in the opening scene, as her underwear colour has changed, psycho essay. When we think of the colour black, immediately symbols of evil and darkness enter us.
So when Marion is wearing black the audience realise this change and understand she has done something wrong. It is at this point in the film that we see the first sign of duality. Psycho essay has transformed from an innocent and na�ve woman to someone who has committed an evil deed, by stealing from her work. Hitchcock has portrayed this first theme of duality by using colour symbolism in costume, from white to black. In the office scene Marion is wearing a white dress symbolising her innocence and loyalty towards her employer. However, psycho essay, this scene provides Marion an opportunity to steal the money, psycho essay. It is in psycho essay scene that we are introduced to the characters Cassidy and Mr Lowery. Marion is now wearing all black, again Hitchcock has used colour symbolism to portray duality.
Duality is shown here because Marion was loyal but is now disloyal. Also in this scene when Marion is driving we can see through the back window of the car, as an audience we can tell that Marion is leaving her world behind her although at this point she is still a part of that world and has not yet left it. The theme of duality is portrayed by Hitchcock by the use of shadows. This is shown in the bedroom scene, it is here where Marion decides to leave her home and begin her journey. This portrays the theme of duality because the shadow psycho essay almost representing a character within a character, as it is in the shape of a human but not in the form of a human.
Like duality it is two sides to a person presented as one. Again Hitchcock psycho essay used colour symbolism as well as the use of shadows to portray duality. Throughout the parlour scene Norman is sitting on a small stool, making him seem bigger than his actual size. By sitting on a small stool we see a larger shadow of Norman, psycho essay. Hitchcock also portrays the theme of duality by use of weather. When Marion is leaving her home the weather is bright and sunny, but before she arrives at the Bates Motel the weather becomes dull, dark and rainy. This shows duality because when she leaves Phoenix she probably has an intention of returning but when she arrives at the Bates Motel she realises that she can not return.
This is because she has bought a car and knows that she will never be able to repay the money. Also while she is driving, she hears many. Voice-overs of her boss, Cassidy and her work psycho essay all worried about her. Marion can not return because she has psycho essay a bad deed and feels guilty that people are worried about her. The reason that duality is shown here is that Marion has now made the transaction between psycho essay two worlds, the good moral world she left behind and she has joined a world of deceit, secrecy and theft.
The first time that the audience see Marion admitting to her duality is when she arrives at the Bates Motel and is signing in. This is shown by her using a false name, indicating that she is ashamed of her true self and wants to be someone else, psycho essay. By giving Marion two names, Hitchcock has allowed her to have two sides therefore making Marion see that what she has done is wrong. Not only does Marion give false name, but address as well. She is creating an entirely new character for herself.
In this scene Hitchcock uses identity to portray the theme of duality. When Marion enters the Bates Motel we are introduced to a new character, whose duality is a lot more obvious towards the end, however we do not find out until the penultimate scene of the film. This new character is Norman Bates. Not only is Norman a host, as owner of the Bates Motel, but a killer. Norman is also a man, psycho essay, by his natural state, and a woman, when he pretends to be his mother. On such way is in the parlour scene. Norman is surrounded by sharp and square edges and dim lighting, which is the opposite to Marion, who is surrounded by soft lighting and round picture frames.
The shape of a square is cornered and has a specific stop and start point, showing the cut off from one edge to the next. However Marion is surrounded by circular objects, psycho essay, which are curved and do not have a specific stop or start point. Hitchcock uses the circle to portray Marion because her character has developed signs of duality, such as giving a false name, to cover her tracks, psycho essay. She is confused about where her original moral self starts and finishes and where her new deceitful side begins and ends. In the parlour scene Hitchcock has used shapes to portray the theme of duality. Hi there, would you like to get such an essay?
How about receiving a customized one? Check it out goo. Home Page Culture Film The film Psycho Essay. The film Psycho Essay. However, through the use of metaphors: mirrors and shadows, we psycho essay see the theme of duality in Marion Crane The title credits of the psycho essay are very long, and because they are it leaves us wanting to watch the film as we are anxious, psycho essay. Related Essays. Alfred Hitchcock's Film Psycho Essay Words 1 Pages, psycho essay. American Psycho College Essay Paper Words 3 Pages. Deconstructing Scenes From Psycho Film Essay Words 9 Pages, psycho essay. A Thematic Analysis Of Alfred Hitchcocks Psycho Essay Words 6 Pages. In this essay i will be discussing how Alfred Hitchcock Words 2 Pages.
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Get your custom essay sample, psycho essay. Sorry, but downloading is forbidden on this website. Topic: The film Psycho Essay How About Make It Original? Thank You! Sara from Artscolumbia. Alfred Hitchcock's Psycho, is a film of many genres it may be categorised as a thriller, a romance or a horror. However, through the psycho essay of psycho essay mirrors and shadows, psycho essay also see the theme of duality in Marion Crane The title credits of the film are very long, and because they. Sherrie Hood.
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However, a few scenes later, after Marion has stolen the money, we see her in black underwear. This is a complete contrast from her image in the opening scene, as her underwear colour has changed. When we think of the colour black, immediately symbols of evil and darkness enter us. So when Marion is wearing black the audience realise this change and understand she has done something wrong. It is at this point in the film that we see the first sign of duality. Marion has transformed from an innocent and na�ve woman to someone who has committed an evil deed, by stealing from her work.
Hitchcock has portrayed this first theme of duality by using colour symbolism in costume, from white to black. In the office scene Marion is wearing a white dress symbolising her innocence and loyalty towards her employer. However, this scene provides Marion an opportunity to steal the money. It is in this scene that we are introduced to the characters Cassidy and Mr Lowery. Marion is now wearing all black, again Hitchcock has used colour symbolism to portray duality. Duality is shown here because Marion was loyal but is now disloyal. Also in this scene when Marion is driving we can see through the back window of the car, as an audience we can tell that Marion is leaving her world behind her although at this point she is still a part of that world and has not yet left it.
The theme of duality is portrayed by Hitchcock by the use of shadows. This is shown in the bedroom scene, it is here where Marion decides to leave her home and begin her journey. This portrays the theme of duality because the shadow is almost representing a character within a character, as it is in the shape of a human but not in the form of a human. Like duality it is two sides to a person presented as one. Again Hitchcock has used colour symbolism as well as the use of shadows to portray duality. Throughout the parlour scene Norman is sitting on a small stool, making him seem bigger than his actual size.
By sitting on a small stool we see a larger shadow of Norman. Hitchcock also portrays the theme of duality by use of weather. When Marion is leaving her home the weather is bright and sunny, but before she arrives at the Bates Motel the weather becomes dull, dark and rainy. This shows duality because when she leaves Phoenix she probably has an intention of returning but when she arrives at the Bates Motel she realises that she can not return. This is because she has bought a car and knows that she will never be able to repay the money. Also while she is driving, she hears many. Voice-overs of her boss, Cassidy and her work colleague all worried about her.
Marion can not return because she has done a bad deed and feels guilty that people are worried about her. The reason that duality is shown here is that Marion has now made the transaction between the two worlds, the good moral world she left behind and she has joined a world of deceit, secrecy and theft. The first time that the audience see Marion admitting to her duality is when she arrives at the Bates Motel and is signing in. This is shown by her using a false name, indicating that she is ashamed of her true self and wants to be someone else. By giving Marion two names, Hitchcock has allowed her to have two sides therefore making Marion see that what she has done is wrong.
Not only does Marion give false name, but address as well. She is creating an entirely new character for herself. In this scene Hitchcock uses identity to portray the theme of duality. When Marion enters the Bates Motel we are introduced to a new character, whose duality is a lot more obvious towards the end, however we do not find out until the penultimate scene of the film. This new character is Norman Bates. Not only is Norman a host, as owner of the Bates Motel, but a killer. Norman is also a man, by his natural state, and a woman, when he pretends to be his mother. On such way is in the parlour scene. Norman is surrounded by sharp and square edges and dim lighting, which is the opposite to Marion, who is surrounded by soft lighting and round picture frames.
The shape of a square is cornered and has a specific stop and start point, showing the cut off from one edge to the next. However Marion is surrounded by circular objects, which are curved and do not have a specific stop or start point. Hitchcock uses the circle to portray Marion because her character has developed signs of duality, such as giving a false name, to cover her tracks. She is confused about where her original moral self starts and finishes and where her new deceitful side begins and ends. In the parlour scene Hitchcock has used shapes to portray the theme of duality.
Norman constantly changes his body language from dominant and imposing to shy, submissive, and emasculated. Each change in body language is a reaction to his dialogue with Marion. It shows his inner struggle to control the personality of his mother, and that he is too weak to win in that struggle. Depending on his reaction, the camera either get closer to him or further. It accentuates both the threatening tone he takes when discussing putting his mother in a nursing home, as well as his emasculation when Marion decides to end the conversation. The most famous scene of the movie is the shower scene, where Marion is murdered by Norman. The scene consists of almost 60 cuts to provide an impression of a visceral and chaotic scene of violence. Hitchcock would later say that this was done to avoid censorship, but the execution provides a scene more shocking than it could be done at the time.
The scene was storyboarded by Saul Bass, who was also responsible for the creation of the striking title sequence Olivares-Merino and Olivares-Merino On a technical level, it was a very complex scene, with innovative techniques used to shoot around water, create an illusion of nudity and violence, as well as to show the horror of the act. It mirrors the techniques used in the opening scene. The scene utilizes the first-person perspective from both the killer and Marion. However, this time the camera is erratic and moves around the scene with each quick cut. The scene is also directed in a way to show that Marion feels guilt over her crime and regrets that she will not be able to make up for it. This is shown in her attempt to reach out to the newspaper where she hid the money and the lingering shot of her eye after she falls on the floor.
Its influence is felt through to modern times, with thousands of directors now utilizing similar techniques to achieve suspense and thrill the audiences. It shows that a small budget can be overcome through innovation and a strong focus on the visual language of the film. Olivares-Merino, Eugenio M, and Julio A. Peeping Through the Holes. Cambridge Scholars Publishing, Need a custom Essay sample written from scratch by professional specifically for you? certified writers online. We use cookies to give you the best experience possible. If you continue, we will assume that you agree to our Cookies Policy.
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